Greg Siegel researches and teaches in media history and theory, science and technology studies, cultural and critical theory, and sound studies. He is the author of Forensic Media: Reconstructing Accidents in Accelerated Modernity (Duke UP). His essays have appeared in Cabinet, Communication and Critical/Cultural Studies, Discourse, Grey Room, Rethinking Disney: Private Control, Public Dimensions (Wesleyan UP), The Routledge Companion to Media and Risk, and Television and New Media. He is currently writing a book on the cultural history of unexplained sounds.